work
DECENTRALAND
OFF+ON
PAVILION
immersive + interactive 3D experience hosted in Decentraland metaverse and custom phygital avatar wearable (available in digital and physical form)-
[ selected as 1 of 4 international artist to design a main gallery build for Decentraland's Art Week 2024 ]
Designed, built, and curated by Match Zimmerman, the OFF+ON Pavilion was an interactive 3D metaverse gallery created for Decentraland Art Week 2024. The fully immersive space housed an exhibition of Web3 and NFT artists, selected and curated by Zimmerman, who also developed the environment architecture from the ground up using Decentraland’s SDK. The pavilion included a dynamic sound installation with reactive 3D objects embedded in the virtual roof—creating an evolving ambient experience that shaped visitors’ movement through the gallery.The structure was wrapped in Zimmerman’s original Dazzle Camouflage pattern, a digitally reimagined take on WWI naval camo, used here as both visual metaphor and spatial intervention. Expanding the project’s presence into avatar identity and digital fashion, Zimmerman released the Dazzle Camo Sweater, a free wearable distributed to hundreds of Decentraland users. A physical version of the sweater is also available as part of Zimmerman’s ongoing MZBRDZ project, which explores symbolic systems and hybrid embodiment across physical and virtual space. The OFF+ON Pavilion reflects Zimmerman’s integrated practice—combining architecture, sound, curatorial authorship, and identity design into a fully co-created digital experience.
LOST IN
TRANSMISSION
interactive sound sculpture - found objects
- custom cassette tape loops
- custom recorded audio
- custom built audio pedal and mixer
- custom built sculpture.-
Lost in Transmission is an interactive sound sculpture composed of found objects and obsolete technologies, evoking a world where stranded individuals repurpose archaic equipment to signal their existence. The structure is built from weathered pallet wood, forming a network of shelves that hold dismantled, found speakers—some without casings—attached with visible speaker wire. These speakers play continuous loops of abstract glass taps and a melodic orchestral sample, recorded and manipulated on custom tape loops. The piece’s sound is always running, creating a background mechanical hum and fuzz. Only when a viewer steps on a pedal does the intricate audio become audible, revealing the layered sonic textures. A small military case at the base houses power elements and adds a sense of found purpose, as if salvaged from a forgotten outpost. Lost in Transmission invites audiences to contemplate themes of identity, isolation, and the human need to communicate across technological and temporal divides.
IMPRESSION/
VISION
interactive media + dance performance
- custom programming of 3D scanner
- custom video effects
- custom controller
- original choreography + performance by Kara Senich Zimmerman-
Impression/Vision is an interactive performance installation created in collaboration with accomplished dancer and choreographer Kara Senich Zimmerman. The piece explores perception, embodiment, and mediated feedback through the integration of dance, live video capture, and real-time projection. Using an Xbox Kinect and a custom-built Max/MSP patch, the dancer’s movements were tracked and processed into layered, ghosted video imagery that was projected back onto her body and the surrounding space. As the live camera operator, I functioned as a second performer—framing, responding to, and manipulating the visual composition in real time. The projections shifted based on both the dancer’s motion and the camera’s choreography, creating a recursive feedback loop between presence, image, and system. Impression/Vision invites audiences to consider the aesthetics of digital embodiment and the tension between agency and representation in mediated environments.
ABSTRACT
CHATTER
VR/METAVERSE
Loop Art Critique / MUD Foundation
International Artist Residency
Immersive, 3D, Metaverse Experience
Concept, Creation, Production, Direction-
Abstract Chatter is an immersive metaverse installation created during a digital artist residency with Loop Art Critique and the MUD Foundation. Built on the OnLand platform, the project explores the transitional space between familiar reality and emerging metaverse environments.
Grounded in real-world physics but breaking them through floating sculptures and thin digital panels, the space invites visitors to experience how technology reshapes perception. Sound design tied to proximity adds tension and depth, reinforcing themes of force and boundary.
The installation includes three one-of-a-kind NFTs and a collection of 99 unique frames, each generated through randomized layering techniques using After Effects, Illustrator, and Photoshop. All pieces are available for acquisition, offering collectors a bridge between procedural creation and curated digital presence.
Abstract Chatter examines how early virtual spaces mimic the real before evolving into something entirely their own.
THE
NORMAL
SHOW
client: UTA/Clamor
art direction
concepting
graphic design
music composition
-
The Normal Show is a digital-first sketch series produced by United Talent Agency and Clamor, exploring the surreal edges of everyday life through short-form, conceptual episodes.
I served as the Creative Director for the project’s public-facing aesthetic, shaping the visual identity, branding language, and thematic/musical tone. In addition to crafting the visual system, I composed and produced the original theme music, building a sonic world that blended playful absurdism with polished accessibility. I also created a suite of digital assets to support marketing, social sharing, and episodic consistency across platforms.
The Normal Show reflects a modern approach to storytelling at the intersection of humor, concept art, and rapid digital media, reaching audiences attuned to both traditional comedy and experimental narrative forms.
OUR FRASIER
REMAKE
Collaborative Animated Project
50K+ views on YouTube
group animation project
generative
motion-
Our Frasier Remake is a global collaborative project reimagining the Season 1 finale of the iconic sitcom Frasier. Spearheaded by artist Jacob Reed, the episode was divided into 185 short segments, with over 100 artists recreating each moment in a unique visual style — from animation to stop-motion to puppetry.
As a contributing artist, I created an animated segment, interpreting a scene from “My Coffee with Niles” through my own visual language. My contribution joined a diverse tapestry of voices, each offering a fresh, independent take on a beloved classic.
The project not only celebrates Frasier’s cultural impact but also explores how contemporary artists reframe nostalgia through new media practices.
KINSLEY VS.
SOUNDTRACK +
ALBUM ART
Achievement: Multiple Official Selections and awards Role: Composer, Producer, Graphic + Video Artist
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This seven-track EP serves as the official soundtrack for the digital series Kinsley Vs., a dark comedy exploring the internal dialogues of a 30-something woman navigating personal and professional challenges. The series delves into themes of self-doubt, ambition, and the complexities of modern life.
Each composition blends ambient textures with rhythmic elements, reflecting the protagonist’s fluctuating mental states and the show’s introspective narrative. The music complements the series’ exploration of the blurred lines between reality and internal perception.
Tracklist:
Getting Somewhere
So… Friday
A Small Drip
Unclear
Don’t Run
Double Americano
How It Goes
